Áine Belton
Website : http://ainebelton.wordpress.com
Facebook: http://www.facebook.com/thepubliczinelibrary
Áine Belton originates from County Meath, Ireland. She has been living and working as an artist in Canterbury since September 2011. Áine has completed her M.A. in Fine Art in UCA Canterbury in 2012. She received her B.A. in Fine Art in the Visual Arts Practice from I.A.D.T., in Dublin (Institute of Art, Design and Technology, Dun Laoghaire) in
2009. Alongside her art and literary practice she is a member of the Collaboratice Research Group (CRG) which is supported by UCA and Crate Space in Margate. Aine does freelance graphic design as well as book making, exhibition reviews, and collage poetry. She is a co-editor of ESC Zine, an independent arts and literary zine that has a growing international presence. Her works have recently been selected for a new project with Dover Arts Development (DAD), as well as being selected for Limbo’s Associate Member Show, Photo Ireland Festival 2013, The European Media Arts Festival 2013. Her literary and visual art has been in publications Zone magazine, No-wave magazine, Oh Francis and Splinter magazine. Aine is the founder of The Public Zine Library-a growing archive of donated zines, artist publications and comics. Áine’s medium experimentation includes drawing to video, sculpture, photography, audio, performance and installation art. Themes of time, humour, phenomenology, reality, technology, self-
reliance and the human condition feature in Áine’s art practice. Within her installations she challenges the spectator to reconsider the impact of constructed realities that surround us on a day-to-day basis. Her work can often be absurd, surreal, violent aspiring to be visually poetic language that delineates from representation.
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Aliansyah Alin
Blog : ruangaliansyah.blogspot.com / ruangaliansyah.tumblr.com
Aliansyah constantly aims to resolve and integrate his processes as a painter and performance artist. He believes that Art still plays a significant role in society with the ability to comment and counterbalance economic disparities between classes in positive and meaningful ways. In each of his performances he uses audience interaction to build a relationship with his viewers in order to open up wider and more inclusive perspectives on social or cultural issues. This is a rare approach for a young artist and indicative of his inspiration by the work of Tisna Sanjaya, Diyanto, Isa Perkasa, Kristiawan and Yoyo Yogasmana working in the 80s and 90s. In his painting he creates portraits of people from the working classes in Bandung. This highlights socio-economic issues in Indonesia and aesthetically follows principles of Socio-Realism, an artistic movement, expressed in the visual and other realist arts, which depicts social and racial injustice and economic hardship. Social Realism had a significant role in the development of Indonesian art history during late 80’s period and peaked in the 90’s. Inspired by his surroundings, friends, family and daily life Aliansyah’s messages of accessibility and inclusion produce a refreshing creative vision and one that is unusual for a young artist working today.
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Annisa Utami
Website : annstami.carbonmade.com
Born in 1988 in Jakarta, Indonesia, and graduated from Institut Teknologi Bandung, Indonesia as Printmaker. Her works strongly influenced by science and machinery and after graduate she works in one of Jakarta based game company, during these times she got many inspirations to put interactivity to her art. Beside doing exploration with algorithm and design, currently she is studying Digital Media in Hochschule für Künste Bremen, Germany.
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Aulia Ibrahim Yeru
Email : auliaibrahimyeru@gmail.com
Lately, my works focused on investigate the concept of space. In this terms, the concept of space is understood from the viewpoint of architecture as space consisting of the x, y, z (although time or temporality of perception is important as well).
Space has an interesting character, which can be seen as an object, but at the same time producing experience, where we are in it. Through art, I think I can make reprocess the interactivity between the space and people. Because the space was in the context of everyday work in both directions between the space and the people live in it. People always have been become participant everyday.
With the exploration and investigation of the space and the elements that make it up, I tried another way to build or evaluate construction of meaning through physical aspects as the conductor of the language itself, rather than speculates on the meaning that often falls in reproduction of meanings or signs, which I think we have encountered it too much. I believe that the physical elements of the space is very political as well. I think we have been overwhelmed by it actually. So, I chose to investigate and play with these elements to invite the audience or inhabitant to appreciate themselves, appreciate the fact they have an important role in defining what is around them in everyday life.
------------------------------
Jennifer Wright
Blog : http://jenniewrightuca.blogspot.co.uk
Working with Painting, Printmaking, Film and Ready-mades also incorporating performance.
Jennifer’s has always been interested in creating a narrative, one that is ambiguous, and open to interpretation. Although she might let serendipity direct the dynamic of her work the intention will remain present from the onset.
The nature of the selection process gives the work an autobiographical stance deriving from a personal experience or an aesthetic choice.
Each object or image exists with its own narrative. That narrative is expanded on and altered when it is put in context with a given environment. The altered juxtaposition of one object or image with another changes the translation of the whole. As the narrative changes, the interpretation also changes depending on its audience. These changing scenarios interest Jennifer, adding dynamics that have multiple possibilities by layering and capturing what are subjective human experiences.
Recently metaphor has become more evident in her work.
------------------------------
Mochammad Hasrul Indrabakti
Website : http://www.mochhasrul.com/
"My name is Moch Hasrul. I’m an artist from Jakarta, Indonesia. Currently I am a BA Fine Art student
at Jakarta State University. I joined a community that focuses on education and fine art the name is
Serrum. My works have been selected on Jakarta Biennale 2014,Indonesian Art Awards 2013 at National Gallery of Indonesia and several others exhibition in Jakarta, Solo, Yogyakarta, Bandung, Malang and Berlin.
I’m a video artist and sometimes I make my artworks with medium multimedia, installation and performance art. Usually I make my artwork with issue such as phenomena in urban community, my experiences and the world around me. I’m interested in the little things that happen to us every day that we usually don’t think about it. I like to make some artworks with playful and experiment."
-------------------------------
Nomas Kurnia
Email : nomas_41comics@yahoo.com
Nomas, an artist and entrepreneur. Born in Bandung and study at Faculty Art and Design of Bandung institute of Technology. Has got his undergraduate degree in 2009, then he purssued his master degree in Art at the same institute and graduated in 2014. His works enclose mostly human issues and social criticism theme. He has distinctive characteristic in his artworks by using paradoxical, ironical language and parody. Nomas utilise many media in his artworks such as installation, sculpture, videos and painting. As a young artist, he actively participates in many art exhibitions. He has also got some credits in art for instance as a finalist of Bandung Contemporary Art Awards #3 and as a finalist of Indonesia Art Awards 2013. Aside from being an artist, Nomas conducts himself also as an entrepreneur of several own businesses. He views that role as a parallel of his artwork. Nowadays, he lives serenely and chaotically in Bandung with his family and partners.
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Website : http://ainebelton.wordpress.com
Facebook: http://www.facebook.com/thepubliczinelibrary
Áine Belton originates from County Meath, Ireland. She has been living and working as an artist in Canterbury since September 2011. Áine has completed her M.A. in Fine Art in UCA Canterbury in 2012. She received her B.A. in Fine Art in the Visual Arts Practice from I.A.D.T., in Dublin (Institute of Art, Design and Technology, Dun Laoghaire) in
2009. Alongside her art and literary practice she is a member of the Collaboratice Research Group (CRG) which is supported by UCA and Crate Space in Margate. Aine does freelance graphic design as well as book making, exhibition reviews, and collage poetry. She is a co-editor of ESC Zine, an independent arts and literary zine that has a growing international presence. Her works have recently been selected for a new project with Dover Arts Development (DAD), as well as being selected for Limbo’s Associate Member Show, Photo Ireland Festival 2013, The European Media Arts Festival 2013. Her literary and visual art has been in publications Zone magazine, No-wave magazine, Oh Francis and Splinter magazine. Aine is the founder of The Public Zine Library-a growing archive of donated zines, artist publications and comics. Áine’s medium experimentation includes drawing to video, sculpture, photography, audio, performance and installation art. Themes of time, humour, phenomenology, reality, technology, self-
reliance and the human condition feature in Áine’s art practice. Within her installations she challenges the spectator to reconsider the impact of constructed realities that surround us on a day-to-day basis. Her work can often be absurd, surreal, violent aspiring to be visually poetic language that delineates from representation.
------------------------------
Aliansyah Alin
Blog : ruangaliansyah.blogspot.com / ruangaliansyah.tumblr.com
Aliansyah constantly aims to resolve and integrate his processes as a painter and performance artist. He believes that Art still plays a significant role in society with the ability to comment and counterbalance economic disparities between classes in positive and meaningful ways. In each of his performances he uses audience interaction to build a relationship with his viewers in order to open up wider and more inclusive perspectives on social or cultural issues. This is a rare approach for a young artist and indicative of his inspiration by the work of Tisna Sanjaya, Diyanto, Isa Perkasa, Kristiawan and Yoyo Yogasmana working in the 80s and 90s. In his painting he creates portraits of people from the working classes in Bandung. This highlights socio-economic issues in Indonesia and aesthetically follows principles of Socio-Realism, an artistic movement, expressed in the visual and other realist arts, which depicts social and racial injustice and economic hardship. Social Realism had a significant role in the development of Indonesian art history during late 80’s period and peaked in the 90’s. Inspired by his surroundings, friends, family and daily life Aliansyah’s messages of accessibility and inclusion produce a refreshing creative vision and one that is unusual for a young artist working today.
------------------------------
Annisa Utami
Website : annstami.carbonmade.com
Born in 1988 in Jakarta, Indonesia, and graduated from Institut Teknologi Bandung, Indonesia as Printmaker. Her works strongly influenced by science and machinery and after graduate she works in one of Jakarta based game company, during these times she got many inspirations to put interactivity to her art. Beside doing exploration with algorithm and design, currently she is studying Digital Media in Hochschule für Künste Bremen, Germany.
------------------------------
Aulia Ibrahim Yeru
Email : auliaibrahimyeru@gmail.com
Lately, my works focused on investigate the concept of space. In this terms, the concept of space is understood from the viewpoint of architecture as space consisting of the x, y, z (although time or temporality of perception is important as well).
Space has an interesting character, which can be seen as an object, but at the same time producing experience, where we are in it. Through art, I think I can make reprocess the interactivity between the space and people. Because the space was in the context of everyday work in both directions between the space and the people live in it. People always have been become participant everyday.
With the exploration and investigation of the space and the elements that make it up, I tried another way to build or evaluate construction of meaning through physical aspects as the conductor of the language itself, rather than speculates on the meaning that often falls in reproduction of meanings or signs, which I think we have encountered it too much. I believe that the physical elements of the space is very political as well. I think we have been overwhelmed by it actually. So, I chose to investigate and play with these elements to invite the audience or inhabitant to appreciate themselves, appreciate the fact they have an important role in defining what is around them in everyday life.
------------------------------
Jennifer Wright
Blog : http://jenniewrightuca.blogspot.co.uk
Working with Painting, Printmaking, Film and Ready-mades also incorporating performance.
Jennifer’s has always been interested in creating a narrative, one that is ambiguous, and open to interpretation. Although she might let serendipity direct the dynamic of her work the intention will remain present from the onset.
The nature of the selection process gives the work an autobiographical stance deriving from a personal experience or an aesthetic choice.
Each object or image exists with its own narrative. That narrative is expanded on and altered when it is put in context with a given environment. The altered juxtaposition of one object or image with another changes the translation of the whole. As the narrative changes, the interpretation also changes depending on its audience. These changing scenarios interest Jennifer, adding dynamics that have multiple possibilities by layering and capturing what are subjective human experiences.
Recently metaphor has become more evident in her work.
------------------------------
Mochammad Hasrul Indrabakti
Website : http://www.mochhasrul.com/
"My name is Moch Hasrul. I’m an artist from Jakarta, Indonesia. Currently I am a BA Fine Art student
at Jakarta State University. I joined a community that focuses on education and fine art the name is
Serrum. My works have been selected on Jakarta Biennale 2014,Indonesian Art Awards 2013 at National Gallery of Indonesia and several others exhibition in Jakarta, Solo, Yogyakarta, Bandung, Malang and Berlin.
I’m a video artist and sometimes I make my artworks with medium multimedia, installation and performance art. Usually I make my artwork with issue such as phenomena in urban community, my experiences and the world around me. I’m interested in the little things that happen to us every day that we usually don’t think about it. I like to make some artworks with playful and experiment."
-------------------------------
Nomas Kurnia
Email : nomas_41comics@yahoo.com
Nomas, an artist and entrepreneur. Born in Bandung and study at Faculty Art and Design of Bandung institute of Technology. Has got his undergraduate degree in 2009, then he purssued his master degree in Art at the same institute and graduated in 2014. His works enclose mostly human issues and social criticism theme. He has distinctive characteristic in his artworks by using paradoxical, ironical language and parody. Nomas utilise many media in his artworks such as installation, sculpture, videos and painting. As a young artist, he actively participates in many art exhibitions. He has also got some credits in art for instance as a finalist of Bandung Contemporary Art Awards #3 and as a finalist of Indonesia Art Awards 2013. Aside from being an artist, Nomas conducts himself also as an entrepreneur of several own businesses. He views that role as a parallel of his artwork. Nowadays, he lives serenely and chaotically in Bandung with his family and partners.
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